„A Symphonic Tribute to the 80s“
Saturday, 3 April 2027
Obertauern Symphonic – A Symphonic Tribute to the 80s
An unforgettable open-air concert experience in the mountains!
The Philharmonie Salzburg, conducted by Elisabeth Fuchs, joins forces with the charismatic singer Monika Ballwein to present the greatest hits of the 80s.
Obertauern will be transformed into an impressive open-air stage.
✨ Experience the unique fusion of pop and classical music against the breathtaking mountain backdrop of Obertauern – filled with emotion, nostalgia and unforgettable goosebump moments!
Schedule for the Open-Air Concert
Location: Obertauern
Entry: from 4:30 PM
Start: 5:00 PM
Duration: approx. 2 hours
We are very pleased to welcome many visitors to this special open-air concert in Obertauern and
look forward to an unforgettable musical afternoon amidst the impressive mountain scenery.
Tickets available soon!
Monika Ballwein, Soloist
She is one of the best-known singers and vocal coaches in Austria. For many years, she has captivated audiences as a soloist, background singer, and stage professional with her extraordinary voice and charismatic presence. In addition to her artistic work, she runs her own Vocal Academy in Vienna. With her passion for music and her distinctive stage presence, Monika Ballwein gives every performance a special touch.
Elisabeth Fuchs, Conductor
The native Austrian Elisabeth Fuchs studied orchestral conducting, oboe, school music, and mathematics at the Mozarteum Salzburg, the Paris Lodron University of Salzburg, and the Cologne University of Music. She is the chief conductor of the Philharmonie Salzburg and the Burgenland State Orchestra and maintains active collaborations with renowned orchestras such as the Stuttgart Philharmonic, Zagreb Philharmonic Orchestra, and Brussels Philharmonic Orchestra.
Elisabeth Fuchs loves to break musical boundaries. This has led to special collaborations with Stjepan Hauser (2Cellos), the David Orlowsky Trio, the Klazz Brothers, Rolando Villazon, Iris Berben, and many other artists. A major concern of hers is participatory music education, which has resulted, among other things, in choir projects with over 300 participants as well as intensive work with children and young people.
